Lyn Gardner’s review of The List in The Guardian gives the show a smashing four stars!
Everything about Muriel Romanes’s production is just so, including John Byrne and Roland Fraser’s design – a curved, beaten-copper panel whose greenish tinge hints at the countryside. Projected on to it are images of trees, their witchy, finger-like branches encroaching on the tiny model house perched precariously on a chair. But the really magnificent thing is Maureen Beattie’s mesmerising and thrillingly unforgiving performance as a woman who cannot forgive herself.
Catch the full review.